Showing posts with label FinePix. Show all posts
Showing posts with label FinePix. Show all posts

Friday, October 12, 2012

Review: Updated: Fuji FinePix X10

Premium build qualityExcellent handlingOptical viewfinderBright, clear screenGood ISO performance for a compactNo marking in the viewfinderFiddly bezel on the rearWeak built in flash

Updated: We've now subjected the Fuji X10 to a long-term test, and have updated our review with the results. Read the 'Second opinion' page to see how we got on.

Fuji created quite a stir when it released its FinePix X100 in March 2011. The combination of a retro-styled metal body, APS-C sized sensor, fixed 23mm f/2 lens and a unique hybrid viewfinder caused plenty of interest among enthusiast and professional photographers alike.

Now Fuji's X10 sits below the X100 in the range, sporting similar retro styling, but sacrificing the large APS-C sensor and fixed lens in favour of a 2/3-inch EXR CMOS sensor and a 4x zoom lens providing an angle of view equivalent to a 28-112mm lens on a 35mm camera.

fuji finepix x10 review

An impressively bright maximum aperture of f/2-2.8 has been achieved and the zoom is operated manually, carrying on the retro theme.

A positive point to glean from this specification is that the price is much more modest. Costing around £320/AU$635/US$550 at current selling prices, it is much more reasonably priced than its bigger brother, so it will be interesting to see how it fares when it comes to image quality.

Fuji's EXR CMOS technology uses a different pixel arrangement to conventional image sensors. This enables the camera to either take pictures at the full 12MP resolution, or to combine neighbouring pixels to increase image quality in low light conditions.

fuji finepix x10 review

Another trick that this unique sensor can pull off is to enable neighbouring pixels to take images at two different ISO sensitivities simultaneously, enabling images with much greater dynamic range to be captured, without having to take multiple frames.

An EXR Auto mode automatically recognises which EXR configuration should give the best results under the conditions, or each mode can be selected manually.

Fuji X10 review

Other features include 1080p video recording and continuous shooting at frame rates up to 7fps, which should be perfect for capturing action.

Enthusiasts will be glad to find that the Fuji FinePix X10 can also record images in Fuji's RAF raw format, providing extra scope for editing images afterwards. This is a high-end compact camera alright. But the question is, how much editing will you need to do with images from the Fuji X10?

What is the picture quality like compared to rivals such as the Canon PowerShot G12 and Nikon Coolpix P7100, and even the older brother, the Fuji X100?

Tuesday, October 2, 2012

Review: Fujifilm FinePix F770 EXR

Excellent build quality20x optical zoom lensRaw shooting capabilityFull HD moviesManual controlsNoise isn't well controlledGPS drains the batterySluggish when shooting raw

Bucking the manufacturer's recent trend for adding subtly tweaked compacts to the burgeoning travel zoom area of the camera market, Fuji has instead gone for a complete design overhaul with the FinePix F770 EXR - its latest addition to the popular F-series.

Boasting far more than just a few small enhancements and updates, the new model boasts a very sophisticated feature-set, headlined by a 20x optical zoom lens that offers an equivalent focal range of 25-500mm on a 35mm camera.

Fujifilm FinePix F770 EXR review

As well as bettering the 15x zoom offering found on its predecessor - the Fuji F600 EXR - this move brings the new Fuji F770 EXR into line with its direct competitors: the likes of the Canon SX260 HS and Panasonic Lumix TZ30, for instance.

Additional noteworthy features include Fuji's latest 16MP EXR back-side Illuminated CMOS sensor, Full HD (1080p) movie recording capability with high speed movie capture at 320fps and raw file capture, plus built-in GPS functionality and fast 11fps continuous shooting (8MP) - with more besides.

Fujifilm FinePix F770 EXR review

The powerful performance that the Fuji FinePix F770 EXR promises is made all the more appealing when you factor in its price tag. With a launch price of £329.99 in the UK and $479.99 in the US, and a street price of around £299/$330, Fuji looks to have come up with a competitively priced camera that offers a number of advantages over its rivals.

With little difference between the Fuji F770 EXR's overall shape compared to the older F600 EXR that it replaces, Fuji seems to have stuck with its tried-and-tested design, saving the bigger changes for the internal components and features, instead.

Fujifilm FinePix F770 EXR review

A few subtle tweaks to the Fuji FinePix F770 EXR's profile include an enhanced front grip that provides a secure and comfortable grasp on the camera, coupled with an all-over soft-touch rubber finish that further augments this feature.

Available in understated black or more striking red, white or blue, the Fuji F770 EXR is slim and stylish, with a well-designed interface that keeps its operation blissfully simple.

Fujifilm FinePix F770 EXR review

Like its predecessors, the F770 EXR boasts a well-stocked mode dial that's mounted on a slant, abutting the top and back panels of the camera. Falling neatly under the thumb, the dial is a very welcome feature that provides a far quicker and more intuitive way of working than menu-based systems tend to offer, dispensing with the need for multiple button presses and scrolling through menus to find the setting you want.

A dedicated movie button also gives fast access to the Fujifilm F770 EXR's Full HD movie recording feature, with softkey access to key functions provided by the scrolling four-way d-pad, plus Fuji's 'F' button offers a concise on-screen menu that presents you with additional important functions for fast tweaking on the fly.

Fujifilm FinePix F770 EXR review

Both the latter contracted 'F-mode' menu and the main menu system are clear, easy to read and logically laid out, with the number of options available for adjustment expanding or contracting according to the exposure mode you're working in at the time.

Stick to the automatic shooting modes and you'll have fewer options to change, while switching to any of the more advanced modes broadens the level of scope for manual control over settings.